Thursday, January 27, 2022

modern literature

Fantasy Literature

What is modern Fantasy literature?
Modern fantasy has " Story elements that violate the natural, physical laws of our known world" events akin to magic. modern fantasy has known authors. Some miraculous elements found in modern  fantasy are talking animals, imaginary worids, fanciful characters, magical beings.

Fantasy Films:

Coms

Encanto

Aldin

Paheli




Indian 20th century literature


1Rabindranath Tagore. Famous As: Poet. 
2 Salman Rushdie.. Famous As: Novelist. 
3 Sarojini Naidu Famous As: Poet and Freedom Fighter. 
4 Mammootty. 
5 Ruskin Bond. 
6 Shreya Ghoshal.
7 R. K. Narayan. 
8 Meena Kumari. 

           Rabindranath Tagore
Famous As: Poet
Birthdate: May 7, 1861
Sun Sign: Taurus
Birthplace: Kolkata, West Bengal, India
Died: August 7, 1941
Rabindranath Tagore was an Indian polymath who contributed greatly to the fields of literature, art, and philosophy. Referred to as the Bard of Bengal, Tagore is credited with reshaping Bengali literature and music. The first non-European to receive the Nobel Prize in Literature, Tagore is also credited with composing the national anthems of India and Bangladesh.
Bengali polymath—poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. poems, novels, short stories, dramas, paintings, drawings, and music that Bengali poet and Brahmo philosopher. 


Tagore works


                           Gatanjali



Gatanjali, a collection of poetry, the most famous work by Rabindranath Tagore, published in India in 1910. Tagore then translated it into prose poems in English, as Gitanjali: Song Offerings, and it was published in 1912 with an introduction by William Butler Yeats.

Medieval Indian lyrics of devotion provided Tagore’s model for the poems of Gatanjali. He also composed music for these lyrics. Love is the principal subject, although some poems detail the internal conflict between spiritual longings and earthly desires. Much of his imagery is drawn from nature, and the dominant mood is minor-key and muted. The collection helped win the Nobel Prize for Literature for Tagore in 1913, but some later critics did not agree that it represents Tagore’s finest work.

The central theme of Gitanjali is devotional. It expresses the yearning of the devotee for re-union with the divine. It is in the tradition of the devotional poetry, but it finds a new and original treatment.
Gitanjali or “The Song Offerings” is a reflection of Rabindranath's consciousness, wisdom & philosophy. The original work, which was published on August 14 1910, comprised 157 songs. The English version was released in November 1912 by the India Society of London.
 
                      Kabuliwala


The theme of "Kabuliwala" is mainly friendship. Though, Rahamat was almost of the age of Mini's father, he and Mini shared a very unique bond of friendship. They used to share all there feelings and even understood each other to a great extent.

The story turns to a bitter end as Rahmat one day receives a letter from Kabul – saying his daughter is sick. He asks for his money back from someone who owed him as he had to return home. Instead of getting his money, a scuffle ensued. Rahmat ended up in prison for 10 years.
                                                   Gora

Amongst the long list of excellently written works by Rabindranath Tagore, Gora finely portrays the social, political and religious society of Bengal during the colonial rule of 1880s. It is Tagore’s fifth literary novel and brings forwards the profoundly created protagonist Gora who is fraught with philosophical questions, theological and political debate, as well as on the subjects of freedom, universal brotherhood, gender, female rights, the malaise of caste, class disparity, tradition and modernity, urban and rural gap, nationalism, colonialism, and much more.

Gora is a story set in the disruptive times when the Bengali society in Kolkata was starkly divided into the traditional orthodox Hindus and the modernized, liberal thinking Brahmos instructed by the Brahma Samaj. The Hindus followed their renascent practices and ceremonials while the Brahmos were in constant clashes with orthodoxy and vehemently opposed all idol-worships, caste system etc. But both the communities were not devoid of their own hypocrisies and contradictions. This story contains a number of characters each of which is unique and strongly individualistic. Through these various characters and their stories.

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