An Artist Floating World

Kazuo Ishiguro

Kazuo Ishiguro, in full Sir Kazuo Ishiguro, Japanese-born British novelist known for his lyrical tales of regret fused with subtle optimism. In 2017 he won the Nobel Prize for Literature for his works that “uncovered the abyss beneath our illusory sense of connection with the world.”

Ishiguro’s first novel, A Pale View of Hills (1982), details the postwar memories of Etsuko, a Japanese woman trying to deal with the suicide of her daughter Keiko. Set in an increasingly Westernized Japan following World War II, An Artist of the Floating World (1986) chronicles the life of elderly Masuji Ono, who reviews his past career as a political artist of imperialist propaganda. Ishiguro’s Booker Prize-winning The Remains of the Day (1989; film 1993) is a first-person narrative, the reminiscences of Stevens, an elderly English butler whose prim mask of formality has shut him off from understanding and intimacy. With the publication of The Remains of the Day, Ishiguro became one of the best-known European novelists at just 35 years of age. His next novel, The Unconsoled (1995)—a radical stylistic departure from his early, conventional works that received passionately mixed reviews—focuses on lack of communication and absence of emotion as a concert pianist arrives in a European city to give a performance.

 1. 'Lantern' appears 34 times in the novel. Even on the cover page, the image of lanterns is displayed. What is the significance of Lantern in the novel?

2. Write in brief a review of the film based on the novel

3. Debate on the Uses of Art / Artist (Five perspectives: 1. Art for the sake of art - aesthetic delight, 2. Art for Earning Money / Business purpose, 3. Art for Nationalism / Imperialism - Art for the propaganda of Government Power, 4. Art for the Poor / Marxism, and 5. No need of art and artist (Masuji's father's approach)

4. What is the relevance of this novel is our times?